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	<title>DesignStamp Opinion &#187; packaging</title>
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		<title>Starbucks, I caused all your problems</title>
		<link>http://www.designstamp.com/opinion/starbucks-i-caused-all-your-problems.html</link>
		<comments>http://www.designstamp.com/opinion/starbucks-i-caused-all-your-problems.html#comments</comments>
		<pubDate>Fri, 07 Mar 2008 19:19:26 +0000</pubDate>
		<dc:creator>gdiesh</dc:creator>
				<category><![CDATA[Branding]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Ethics]]></category>
		<category><![CDATA[UX]]></category>
		<category><![CDATA[User+Experience]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[packaging]]></category>
		<category><![CDATA[sensation+transferance]]></category>

		<guid isPermaLink="false">http://www.designstamp.com/opinion/starbucks-i-caused-all-your-problems.html</guid>
		<description><![CDATA[Yes, I am the one who tries to avoid buying your coffee. I tell others to resist the convenient temptation of your omnipresence. I believe I am the cause of your recent troubles. I am not apologetic, but I hope that you will learn from your mistakes and rise up to the challenge of being...umm… less starbucksy.]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.designstamp.com/opinion/wp-content/uploads/2008/03/starbucks_human_touched.jpg" alt="Starbucks: I caused all your problems" align="left" />Yes, I am the one who tries to avoid buying your coffee. I tell others to resist the convenient temptation of your omnipresence. I believe I am the cause of <a href="http://www.fool.com/investing/general/2008/01/31/starbucks-stinks.aspx" title="Starbucks recent troubles">your recent troubles</a>. I am not apologetic, but I hope that you will learn from your mistakes and rise up to the challenge of being&#8230;umm… less starbucksy. Don&#8217;t get me wrong, I think you did a lot of things right including <a href="http://www.designstamp.com/opinion/trust-part-1-brands.html" title="DesignStamp Opinion: Trust: Part 1- Brands">creating anchoring by offering product consistency</a>, and adding <a href="http://www.designstamp.com/opinion/how-design-conference-takeaways.html" title="DesignStamp Opinion: How Design Takeaways">those extra brand touches</a> to elevate that lowly cup of Java to an aspirational cup-to-have.</p>
<p>To those who care to know (and Starbucks, if I were you, I would be searching Google everyday to find out what people think of you), here are the reasons why I have made it my mission to seek out alternatives sources to feed my caffeine addiction:</p>
<ol>
<li><strong>Starbucks coffee sucks</strong>? To me, the coffee has always tasted burnt. I am not a coffee connoisseur like the <a href="http://blog.2paths.com/becoming-coffee.html" title="2paths loves coffee">good people at 2paths</a> but even to my relatively unsophisticated coffee palette, Starbucks never felt &#8216;good&#8217;.</li>
<li><strong>It all began with &#8216;No free internet&#8217;</strong> (<a href="http://starbucksgossip.typepad.com/_/2008/02/finally-starbuc.html">Starbucks has changed that</a>, but it&#8217;s too late)? Ok, so this is geek reason, but it had a ripple effect that lead to #3. Basically, I don&#8217;t understand why I would have to pay a zillion dollars for a &#8220;tall&#8221; coffee and then pay for a service that should be as basic as providing lighting and mind-numbing muzac.</li>
<li><strong>I found &#8216;others&#8217;</strong>. Leading from # 2, I started looking for cafes that had free internet. Free internet lead me to cafes with great coffee! <a href="http://www.take5cafe.com/" title="Starbucks Alternative: Take 5 cafe">Take 5 café</a> in Vancouver is great, as is <a href="http://www.caffeartigiano.com/" title="Starbucks Alternative: Caffe Artigiano">Caffé Artigiano</a> which has amazing coffee (and terrible baked goods). Lesson: sometimes your ancillary, supporting services are the reason why people buy into your primary brand offering.</li>
<li><strong>I heart community</strong>. In this world of remote offices and telecommuting, cafés are the new networking opportunity. Starbucks tries to create a strategically comfortable environment with its big arm chairs and carefully positioned mood lighting, but I am thinking that it takes more than just soft cushions to make for a successful <a href="http://en.wikipedia.org/wiki/Third_place" rel="external">third place <img src="http://www.designstamp.com/images/common/whatis.gif" alt="what is" height="11" width="12" /></a>! For example: <a href="http://bmannconsulting.com/blog/bmann/innovation-commons-first-meeting-wednesday-october-5-2005" title="example of Take 5 cafe's geek events">Take 5 café lends its location to geek events</a> in the evenings after open hours (fringe benefit: geeks tend to drink lots of java, and do so during these events too). Result: Now geeks flock to the café at all hours of the day! If you are looking to hire your next freelance coder/designer, chances are you will find them huddled in the back of the café, working on their laptops and guzzling down their third cup of java. Lesson: big brands need to work harder to give managers the freedom to operate each store as an independent business and make &#8216;authentic&#8217; community contributions not the catch-all ones that are dictated at a corporate level.</li>
<li><strong>Anonymous service</strong>. I have worked in retail and I have worked for a large global brand, so I know that customer service training can sometimes takes the humanity out of that service. It all becomes a timed science of making eye-contact within x number of seconds and saying thank you in just the right way. Again, I suggest that Starbucks and every other mega retail brand consider going back to the idea of creating &#8220;villages&#8221; around their stores. Look to hire people who genuinely enjoy people. Look to make each store unique, different and while it can have the comfort of leveraging familiarity of the same logo, same product, it should be courageous enough to respond to a particular community&#8217;s needs. Treat that 65 year old customer differently than the 30 year old who buys a low-fat, soya latte with extra foam from you every day. Keep your humanity, and don&#8217;t correct the customer when they order a &#8220;small&#8221; coffee.</li>
<li><strong>Laughable brand extensions</strong>. OK, I guess I am a bit of a brand Nazi but I don&#8217;t want to give my hard earned money to a brand that thinks it&#8217;s so beautiful that it should be able to sell just about anything with its  logo on it. How many types of tumblers does this world really need? What do plush toys have to do with the primary product i.e. a decent cup of coffee? Lesson: create a brand that is known for what it does best, keep a laser focus on that strength and don&#8217;t deviate from that focus. You seem wasteful and self-congratulatory when you overdo the logo placements.</li>
<li><strong>I like local more then I like global</strong>. When I go to Europe, I resist the temptation of going to any American brand restaurant. Sure it&#8217;s easy to order a <a href="http://en.wikipedia.org/wiki/Royale_with_cheese" rel="external"><em>Royale with cheese</em> <img src="http://www.designstamp.com/images/common/whatis.gif" alt="what is" height="11" width="12" /></a> at McDs. And it&#8217;s a linguistic and cultural challenge communicating with the owner of a petit bistrot.  &#8220;I am asking for a medium rare steak but I would prefer if the cow were not still breathing when it is served to me&#8221;. But McD&#8217;s ain&#8217;t Paris. And Starbucks doesn&#8217;t feel <em>local</em>. If I want to feel posh, I go to <a href="http://www.49thparallelroasters.com/">49<sup>th</sup> Parallel</a>. I want to feel like I am <a href="http://en.wikipedia.org/wiki/Commercial_Drive_%28Vancouver" rel="external">doin&#8217; the drive <img src="http://www.designstamp.com/images/common/whatis.gif" alt="what is" height="11" width="12" /></a> so I go to <a href="http://www.martiniboys.com/Vancouver/Calabria-Coffee-Bar-review.html">Calabria café</a>  with its somewhat garish, fake Italian statues and unpretentious attitude. I want the local environment to impact my coffee experience. I don&#8217;t want the same lighting, same music and same artwork comfort but maybe that&#8217;s just me.</li>
<li><strong>I want to curb the infection and not encourage it</strong>. Even if you love Starbucks and can&#8217;t live without it, you too would admit that the sheer number of stores that have cropped up in the last few years is a bit nutty. Do we really need a <a href="http://www.flickr.com/photos/orangejack/245921815/">Starbucks store across the street from..another Starbucks</a>? Vancouver seems to be hardest hit by the fungal growth of the green logo stores. &#8220;I&#8217;ve never seen so much coffee in all my life. The whole town is on a caffeine jag,&#8221; said Bette Midler, when she performed in Vancouver.</li>
<li><strong>If I were a coffee shop I would be</strong>.  Picture it, a little cafe with the bubbly, friendly tattooed crazy coffee girl (barista would be too pretentious, and not sure why she is a girl! Frued?). The smell of food and coffee would be mixed and the air would be warm and the music would be Radiohead-ish. Strange but hey, that&#8217;s me. I tend to try and use my money to vote up the brands that reflect who I am (or want to be). Little bit of narcissistic <a href="http://en.wikipedia.org/wiki/Anthropomorphism" rel="external">anthropomorphism <img src="http://www.designstamp.com/images/common/whatis.gif" alt="what is" height="11" width="12" /></a>. If I were a coffee brand I hope I am not seen as a Starbucks. Apparently a study of 8000 consumers found Starbucks to be &#8220;<a href="http://www.organicconsumers.org/starbucks/uk022105.cfm">arrogant, intrusive and self-centered</a>&#8220;.</li>
<li><strong>I can&#8217;t stand the thought of sameness</strong>. I said it time and again in this little list, but one of the reasons that I am so fascinated by brand creation and management. I think we need to challenge how good brands are built. The whole idea of sameness is unnecessary. The idea of wrapping a marketing message around a product is such a throwback to the industrial revolution. We are now living in emotional times. I think the future of successful brands flips the equation on its head. <a href="http://www.nytimes.com/2006/07/30/magazine/30brand.html?pagewanted=3&amp;_r=1">As this brilliant article suggests</a>, grassroots brands are cropping up that start with an emotion or thought and then manifest into a product that reflects that emotion best, not the other way around. <a href="http://www.historyofbranding.com/starbucks.html">Starbucks started that way</a> but along the way it seems to have shifted its focus from coffee and experiences around that drink, to growing exponentially. Something got lost along the way and got replaced with this sameness/safeness that I question.</li>
</ol>
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		</item>
		<item>
		<title>Phat or Fat? Finding your brand voice.</title>
		<link>http://www.designstamp.com/opinion/phat-or-fat-finding-your-brand-voice-2.html</link>
		<comments>http://www.designstamp.com/opinion/phat-or-fat-finding-your-brand-voice-2.html#comments</comments>
		<pubDate>Sun, 01 Oct 2006 20:36:00 +0000</pubDate>
		<dc:creator>Gagan</dc:creator>
				<category><![CDATA[Branding]]></category>
		<category><![CDATA[Business]]></category>
		<category><![CDATA[UX]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[packaging]]></category>
		<category><![CDATA[sharing]]></category>
		<category><![CDATA[social_networks]]></category>
		<category><![CDATA[socialmedia]]></category>
		<category><![CDATA[userresearch]]></category>
		<category><![CDATA[users]]></category>

		<guid isPermaLink="false">http://www.designstamp.com/opinion/phat-or-fat-finding-your-brand-voice-2.html</guid>
		<description><![CDATA[It&#8217;s relatively easy to hide behind a faceless stone mask of  a named corporation. Even easier is to pretend to be big and ‘worldwide&#8217; and  use technology and gimmicks to remove the immediacy of human contact.  But why would we want that? Why would we want  to feel secure from our [...]]]></description>
			<content:encoded><![CDATA[<p>It&#8217;s relatively easy to hide behind a faceless stone mask of  a named corporation. Even easier is to pretend to be big and ‘worldwide&#8217; and  use technology and gimmicks to remove the immediacy of human contact.  But why would we want that? Why would we want  to feel secure from our own customers? Why is it necessary to aim to be a  successful brand by defining only its non-human qualities such as pixel size  and RGB values? Why is it that creating a brand has never traditionally  including defining its humanity and contribution to the world (that it seeks to  dominate)?</p>
<p>We frequently work with companies that in the process of  establishing, building or redefining their brand. </p>
<p>On the key exercises that I like to emphasize when building  a brand from the ground up or focusing an existing brand is the importance of a  brand voice.</p>
<p>Here&#8217;s how I see it.</p>
<p>Problem: We want to speak to our customer, but there are a  lot of other voices that are screaming the same message to our customer. We  have something unique to sell to our customer, but we are afraid that they will  not be able to hear us over the din of our competitors.</p>
<ol>
<li>Also called Step ZERO. Let&#8217;s forget about the competitors for a  minute. You have obviously made it this far based on the assumption that you  have a unique product or service offering. Or you were able to prove that there is enough room in the market for you. Hence you were able to raise the capital  needed to be in existence. So, you and I both know that you have something to  offer your customer. But what is it? Before we attempt to speak with &#8220;them&#8221;, let&#8217;s  make sure we know <strong>WHAT </strong>we want to say to our target market. What makes our product/service  worthy of their time and why should they care to keep us in business. How are  we helping them? </li>
<li>Let&#8217;s talk about <strong>HOW</strong> we want to speak to them. What  is our brand voice (that being the reason for this article). Country music or <a href="http://www.amazon.com/Country-Grammar-Nelly/dp/B00004TH6I">Country  Grammar</a>? When they exclaim &#8220;that&#8217;s hot&#8221;; do they mean the temperature of  something is uncomfortably high, or do they mean that sh** is phat?  Knowing your target audience&#8217;s brand voice,  tells you the style and tone that your brand must have to be accessible to its  market. Brand voice is not just a vocabulary; it is how successful brands clearly  express their membership (or leadership) to their tribe. A brand&#8217;s voice  communicates its values, principles and just who they are, to their market.</li>
</ol>
<p>When a brand communicates clearly, it has a voice. And a  brand with voice has power. Because then it can do a multitude of things and  yet always find a way to communicate its brand message clearly in everything it  does.</p>
<div>I am cool; hence if you love me, you too are cool. (Nike)</div>
<div>I care about the safety of your kids as much as you do (Volvo)</div>
<div>I know you&#8217;re naughty. I am naughty too (playboy, hustler)</div>
<div>I too believe in open source not private ownership of  software development (Linux)</div>
<div>I&#8217;m rich, get to know me and you&#8217;ll be rich too (Trump University,  Trump books)</div>
<div>I&#8230;uhhh&#8230;am not thinking war is&#8230; umm&#8230;good (Democrats in 2000)</div>
<p>Brand voice must resonate with its target market to be  successful. </p>
<p>Trying to fake your brand voice to make it accessible to its  target audience is as offensive to your target audience as <a href="http://www.rotten.com/library/bio/entertainers/actors/ted-danson/">Ted Danson doing  black face</a>. Your brand shouldn&#8217;t just speak in the voice that you define, it  must <strong>become</strong> it. </p>
<p>Defining a brand&#8217;s voice, means bringing a brand to life.  Get rid of big brand standards documents that teach you how to use that logo.  Instead think about making your brand into a real person. Think about <strong>who</strong> your brand is. Where do they hang  out. What parties do they go to? Would you invite them over to your house? And  if so, would your personal style, appeal to them or hurt their sensibilities? How will they sit at a  party? In the middle of a young crowd or huddled with the small group of suits discussing  the benefits of investing in tech stocks?</p>
<p>Knowing your brand voice means that you now know not only  what you want to say, but how you want to say it.</p>
<p>Looking at a few 404 Error messages online, it becomes clear that even errors can speak volumes about a brand&#8217;s voice and how it communicates to it&#8217;s users.</p>
<p>Consider the following error messages: <a href="http://basecamphq.com/designstamp">Basecamp</a>, a  project management tool, is both authoritative in its error messages and calm.  <a href="http://flickr.com/designstamp">Flickr</a> is like your buddy, irreverent yet cool. <a href="http://www.apple.com/designstamp">Apple</a> knows text lists will  bore you while <a href="http://www.microsoft.com/windows/designstamp">Windows</a> is geekier. <a href="http://www.google.com/designstamp">Google</a> has the manner of a guy who has one piece of furniture  in his one-room apartment which also houses 5 computers!</p>
<p>Marcus Graham  takes the concept of brand voice one step further. He takes the concept of brand  voice very literally. He researched 100 brand voices by recording the official automated  phone greetings. So if you go to <a href="http://www.top100voicebrands.com/top10personas.php">Top 100 voice brands</a> you can actually compare what say Starbucks voice sounds like, to that of  Microsoft, Apple or Charles Schwab. While I am not sure if every company has  the budget to hire the best voice talent to record their company&#8217;s automated  systems, the study speak to the importance NOT being seen as gruff, robotic and  un-human. It&#8217;s more impactful to be personal, trust-worthy and human.</p>
<p>Finding your brand voice is making the definitive statement  about who your brand is, and who it is not. And it is also proof that the brand  really &#8220;gets&#8221; its target audience. That it doesn&#8217;t wait to speak to its market through focus  groups and feedback forms.  It also  lives  in the world that its target audience inhabits. </p>
<p>A brand with a clear voice manages to have enviable  shorthand with its core market. Sometimes it leads the tribe, sometimes it is  just one of the tribe, but whatever its position, it is identifiable, tangible and  ultimately very human.</p>
<p>powered by <a href="http://performancing.com/firefox">performancing firefox</a></p>
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		<title>Sensation Transference</title>
		<link>http://www.designstamp.com/opinion/sensation-transference.html</link>
		<comments>http://www.designstamp.com/opinion/sensation-transference.html#comments</comments>
		<pubDate>Thu, 02 Feb 2006 02:01:01 +0000</pubDate>
		<dc:creator>Gagan</dc:creator>
				<category><![CDATA[Branding]]></category>
		<category><![CDATA[cheskin]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[packaging]]></category>
		<category><![CDATA[sensation+transferance]]></category>

		<guid isPermaLink="false">http://clotho.site5.com/~designst/opinion/sensation-transference.html</guid>
		<description><![CDATA[All of us appreciate and are influenced by the
<a href="http://massivechange.com/" rel="external">power of design</a>. However what we don't realise at times, is that we are sometimes enchanted by not only the
product but the packaging as well..]]></description>
			<content:encoded><![CDATA[<p>It is a given that those that design for a living will <a href="http://www.informinteriors.com/" rel="external">surround themselves</a> with<br />
<a href="http://www.shopcomposition.com" rel="external">beautifully designed products</a>. After all having beautiful things around us,<br />
makes us appreciate design, understand good design and continue the wonderful<br />
cycle of the design of good things. This emphasis on visual design<br />
is not confined to designers. All of us appreciate and are influenced by the<br />
<a href="http://massivechange.com/" rel="external">power of design</a>. However what we don&#8217;t realise at times, is that we are sometimes enchanted by not only the<br />
product but the packaging as well.</p>
<p>According to a pioneer in the world of marketing, <a href="http://www.cheskin.com/about_history.php" rel="external">Louis Cheskin</a>, we cannot help<br />
but be influenced by the packaging of a product. To us, as consumers, when we<br />
buy a product, we buy the packaging <i>and</i> the product. Coke from no-name can<br />
will taste inferior to us than Coke in a Coca-Cola can. Cheskin called this<br />
&#8220;sensation transference&#8221;. What we feel about the package of a product<br />
can influence how we feel about the product itself.</p>
<p> Back in the 1940&#8217;s, Cheskin packaged margarine in a foil wrapper<br />
  and asked the manufacturer to change its color from the de facto white color to a rich yellow. By making<br />
  these changes, Cheskin managed to equate margarine to the aesthetic qualities<br />
  of butter (considered a superior product than margarine). Sales of margarine<br />
  went up dramatically.</p>
<p> So what can we learn from Cheskin&#8217;s principle of &#8217;sensation transference&#8217;? That<br />
  it matters how we package things. We start to experience the taste of an Oreo<br />
  cookie even before we put the cookie in our mouth. From the color of the<br />
  outer package to the crackling of the plastic inside, the cookie is more<br />
  than flour and sugar and a few thousand chemicals. It is the sum total of the<br />
  entire experience, from the product display in the grocery store, the package<br />
  and it&#8217;s contents. And that is what good brands have always known. Countless people have<br />
  talked about helping Jacob Nielsen, usability professional, re-design <a href="http://www.useit.com" rel="external">his<br />
  website</a>, to help him take advantage of this sensation transference. Good<br />
  content inside a good looking container, may be more palatable than the existing<br />
  pale yellow and blue laundry list of links.		</p>
<p> So what we can learn from sensation transference today? Well, for one, let&#8217;s focus on how we package our brand. Let&#8217;s take a good hard look at<br />
  our brand package and figure out if any of the below is true for it: </p>
<ol>
<li> <strong>Our logo is not as important as we think.</strong> Yes, you heard correctly. Your logo is really not<br />
    that important. Once you have a professionally designed logo in your hands,<br />
    it&#8217;s not the logo but what you do with it that matters. Unless you are a<br />
    multi-national corporation that needs to be recognized across language and<br />
    cultures, and are willing to spend millions of dollars to protect your<br />
    properties, your logo is only one part of your visual language. <img src="http://www.designstamp.com/images/examples/brand_off_app.jpg" alt="Guess that Brand!" width="222" height="115" align="left" />You will want<br />
    to spend equal amounts of time and money, to build your messaging and product<br />
    statements. Can you guess which company&#8217;s website this is? You probably can,<br />
    even though there is no mention of their products, and all evidence of their<br />
    logo and navigation has been removed. The reason for that is that while this company recognizes that their logo is important, they are also equally concerned with all other aspects of their visual communication to you, the end-user. They ensure that their products, website and all marketing material speak the same language. (Oh, just in case, the company is Apple)</li>
<p></p>
<li> <strong>We are not consistent enough</strong>. To understand the importance of<br />
    consistency, imagine a happy meal without a toy. Or a visit to Disneyland<br />
    <img src="http://www.designstamp.com/images/examples/mickey_mouse_brand.jpg" alt="Mickey is everywhere." width="222" height="115" align="left" />without seeing those mouse ears. Or the absence of Tony the Tiger on the<br />
    Frosted Flakes cereal box. Packaging your brand means to have a shorthand with<br />
    your audience. They need to know what you stand for. Today and tomorrow. Both<br />
    physically and conceptually. Cool is to Apple what Speed is to Fedex. Or what<br />
    discounts are to Wal-Mart. From your brochures to your office carpet, consider<br />
    what your choices are saying about what your brand stands for.</li>
<p></p>
<li><strong>We are not different enough</strong>. Might seem like a paradox when discussing<br />
    consistency, but to be different is to not be like your competition. Pierre <img src="http://www.designstamp.com/images/examples/body_shop_animal_testing.jpg" alt="Against Animal Testing" width="222" height="115" align="left" />Bourdieu,<br />
    a French psychologist said, &#8220;A choice of brand is a clear statement of<br />
    what you are NOT!&#8221; Show your audience how you are different. What do you<br />
    stand for, that your competition does not? To be a strong player in the market<br />
    you need to be known for one thing. Make sure you shout out this difference<br />
    from the roof tops (roof tops could equal home page, splash screen, brochures<br />
    etc). Your difference can actually be a potential weakness turned upside down.<br />
    For example: some people prefer dealing with small, growing companies rather<br />
    than the big corporate man. Ben &amp; Jerry&#8217;s capitalized on that. Maybe your<br />
    difference is not in the final product but in your production process? Or in<br />
    your values and community involvement? <a href="http://www.vancity.com" rel="external">Vancity</a> made a name for themselves doing<br />
    just that. The only way you are going to find out what you do differently than<br />
    your competition, is to study your competition and the existing marketplace&#8212;know<br />
    them inside out and react with courage. &#8220;Against Animal Testing&#8221; was more than<br />
    just a slogan, it was a way of doing business that brought the Body Shop much<br />
    success and encouraged the entire cosmetics industry to examine their<br />
    practices. </li>
</ol>
<p>
So in the end, to understand the importance of branding is to understand the power of packaging. We are human and can&#8217;t help but be influenced by what we see. So make sure that your outsides are telling the correct story about your insides!</p>
<p>Big ups to two books &quot;<a href="http://www.amazon.com/exec/obidos/ASIN/0316172324/httpwwwdesigc-20" rel="external">Blink : The Power of Thinking Without Thinking</a>&quot; and &quot;<a href="http://www.amazon.com/exec/obidos/ASIN/0743267842/httpwwwdesigc-20" rel="external">Brand Sense</a>&quot;. Both are seemingly contradictory. The first places emphasis on how we can go wrong when asked to evaluate our first impressions, and the second bases research on asking people about their first impressions. However,  both books helped me write this article.</p>
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